Tag Archives: CMOS

Fuji promises a modified sensor for the white disc blooming issue, not clear who will get it

Fuji promises a modified sensor for the white disc blooming issue, not clear who will get it

Fujifilm issued a statement about the “white disc/sensor blooming” issue reported few months ago. In addition to the Finepix X10, the X-S1 camera is also impacted. A new firmware for the X-S1 will be released on March 21st. The second part of the statement is confusing – Fuji have developed a modified sensor that will resolve the issue and it will be available from late May 2012. Will all current Fuji X10 owners get their sensor replaced? Will the new sensor be included only in new X10 cameras?

The FUJIFILM X10 and X-S1 digital cameras were made available by Fujifilm late last year, and have been generally very well received by customers, who admire the excellent picture quality, manual zoom lens and viewfinder.

However, we did receive some inquiries concerning the so-called ‘white disc’ or ‘blooming’ occurrence, where exceptional highlights in the picture can appear as strongly delineated rounded shapes. This ‘blooming’ effect can occur with all digital cameras which use CMOS sensors, to varying degrees. It can also occur with the X10 and X-S1 when shooting in certain conditions, e.g. cars with front lights shining in dark night scene. The X10 and X-S1 are fitted with a very advanced sensor, which gives excellent picture quality and low noise, but which does give a different ‘blooming’ effect from other cameras.

Fujifilm has a long-standing history of delivering top quality products to the market. In response to our customers’ comments, we have worked hard to find an improvement to reduce the ‘blooming’ effect of the X10 and X-S1. Below are the actions we have undertaken.

In February, we announced a firmware upgrade for the X10 (version 1.03) which does reduce the white disc occurrence specifically in EXR mode. It works by identifying scenes that are likely to get ‘white disc’ blooming. When the camera recognizes such a scene, it automatically increases the ISO and optimizes DR (dynamic range). As the ISO increases, the white discs are less evident. * New firmware for the X-S1 will be available from March 21, 2012.

We will also develop a modified sensor, which will more universally resolve the ‘white disc’ blooming effect in all modes. We are working hard to make this new sensor available from late May 2012.

We encourage any customer with an X10 and X-S1 who has experienced the ‘white disc’ phenomenon to call their local authorized Fujifilm service centre.

Fujifilm is committed to delivering the highest quality products to the photographic community, and is happy to provide this improvement.

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This is the full press release for the Sony a57 SLT camera:

Sony a57 press release

This is the full press release for the Sony a57 SLT camera:

SAN DIEGO, March 12, 2012 — A wider palette of creative options is now accessible to more shooters with the α57 camera, the newest addition to Sony’s popular line of A-mount cameras employing Translucent Mirror Technology.

The innovative Translucent Mirror design directs incoming light to the CMOS image sensor and the AF sensor at the same time, allowing full-time continuous AF during both still and video shooting. Users can also frame, focus and preview shots in real-time on the high-resolution Tru-Finder™ electronic viewfinder, which offers a wide viewing angle and 100% field of view. This allows photographers to capture exactly what they see on the screen.

A natural successor to Sony’s acclaimed α55 camera, the α57 is positioned for a wide audience of DSLR users. It can shoot still images at up to 12 frames per second, full HD video at 60p, 60i or 24p frame rates and has a variety of creative modes including Auto Portrait Framing, a world’s first technology

“Today’s DSLR consumer is looking for a higher level of control and flexibility in their camera,” said Mike Kahn, director of the Alpha camera business group for Sony Electronics. “With the introduction of the new α57, we’re bringing blazing fast response rates, enhanced artistic capabilities and other advanced features to the mainstream DSLR marketplace, offering professional-grade performance at affordable prices.”

With the α57 camera, shooting speeds of up to 12 frames per second are achieved in new Tele-zoom Continuous Advance Priority AE mode, maintaining continuous auto focus and auto exposure with fixed aperture. Magnifying the central portion of the sensor’s image by 1.4x, it’s perfect for capturing split-second action close-ups with a burst of sharply focused images, even when the subject is moving. In this shooting mode, aperture is fixed at either f/3.5 or the maximum aperture of lens in use (whichever is smaller) and image size of photos is about 8.4 megapixels.

Additionally, the α57 camera lets people create powerfully expressive Full HD movies. Responsive full-time continuous phase detection AF ensures that moving subjects stay sharply focused, just like with still shooting. Support for the AVCHD™ Ver. 2.0 (Progressive) format means that Full HD resolution movies can be captured with 60p frame rate: ideal for capturing smooth, blur-free action. Shooting in 24p is also available to give footage a rich, cinematic look. Movie-making options are enhanced further with full control over P/A/S/M shooting modes for virtually limitless creative expression.

The α57 model shares the α65’s 15-point AF system with three cross sensors delivering fast, accurate TTL phase detection autofocus. Newly enhanced Object Tracking AF keeps faces or other selected objects in sharp focus – even if a target is obscured momentarily by another passing object.

Even the novice photographers can now easily create pro-style portraits with the α57 thanks to new Auto Portrait Framing, a world’s first technology. Using face detection and the compositional ‘rule of thirds,’ the camera identifies a subject’s position, trimming the scene to create tightly framed, professional-looking pictures in portrait or landscape orientation while maintaining a copy of the original image. Saving both the original photo plus the adjusted version allows for easy comparison between the two images, offering photographers inspiration to refine their portrait skills.

To get closer to the subject, 2x Clear Image Zoom digital zoom technology doubles the effective magnification of your lens and is a highly practical alternative to travelling with a bigger, bulkier telephoto lens. The camera uses Sony’s “By Pixel Super Resolution Technology” to ensure that cropped and zoomed images retain full pixel resolution.

Additionally, the model’s range of popular in-camera Picture Effect modes includes 11 different effects and 15 total variations – offering a generous palette of ‘PC-free’ artistic treatments, including Pop Color, HDR Painting, Miniature Mode and much more. Results can be previewed directly in live view mode on the LCD screen or in the new Tru-Finder™ electronic viewfinder while shooting either Full HD video or stills.

Still and video shooting, framing, focusing and real-time preview of exposure adjustments are a pleasure with the new Tru-Finder™ electronic viewfinder. With ultra-detailed 1440k dot resolution and a 100% field of view, it rivals quality optical viewfinders. There’s a choice of selectable high-resolution information displays with a wide viewing-angle to help consumers shoot with confidence, including a digital level gauge and framing grid. Information can be displayed either directly in the viewfinder or on the angle-adjustable 7.5 cm (3.0-type) Xtra Fine LCD™ display.

Ensuring detail-packed images, the 16.1 effective megapixel Exmor® APS HD CMOS sensor is teamed with a latest-generation BIONZ® engine. Refined by Sony during the development of its flagship α77 and high-end α65 cameras, this powerful processor effortlessly handles large amounts of image data for flawless, low-noise images and Full HD video.

Thanks to the BIONZ processor, creative shooting opportunities are boosted by an outstanding sensitivity range of ISO 100-16,000. Users will experience consistently natural, low-noise images – whether shooting at fast shutter speeds to freeze dynamic action or handheld without flash in low light.

Pricing and Availability

The new α57 interchangeable lens camera will be available this April with an 18-55mm kit zoom lens for 00 (model SLT-A57K). It will also be offered as body-only for about 00 (model SLT-A57).

Sony will also be introducing a new battery-powered LED video light, model HVL-LE1, which broadens options for recording video indoors or in low light. This new accessory will be available this month for about 50.

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March 03, 2012 at 05:10AM

Samsung Sensor is First to Capture Image and Depth Data at the Same Time

Samsung has developed what the company claims is the world’s first CMOS sensor that can capture both RGB and range images at the same time. Microsoft’s Kinect has received a good deal of attention as of late for its depth-sensing capabilities, but it uses separate sensors for RGB images and range images. Samsung’s new solution combines both functions into a single image sensor by introducing “z-pixels” alongside the standard red, blue, and green pixels. This allows the sensor to capture 480×360 depth images while 1920×720 photos are being exposed. One of the big trends in the next decade may be depth-aware devices, and this new development certainly goes a long way towards making that a reality.

(via Tech-On! via Gizmodo)

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February 28, 2012 at 10:27PM

New Gear: Sony Unleashes H-Series Superzoom Compacts

Five new compact cameras out of Sony today, all of which pack major zoom lenses.

Sony has today announced the new “H-series” of Cyber-shot compact cameras, all of which carry major zoom lenses and optical image stabilization at varying price points. First out the gate is the high-end DSC-HX200V, pictured above. It has a whopping 30x (27-810mm) zoom, and is expected in March for approximately 80. It, along with the HX30V, HX20V and HX10V all have a new 18.2-megapixel CMOS sensor. Sony claims the new sensor allows faster AF speeds, 1920×1080, and the ability to record 13-megapixel stills while shooting video.

The HX10V, HX20V and HX30V (left to right above, and yes, the HX20V and HX30V are near-identical) are more pocket, and pocketbook, friendly than the HX200V. The HC10V has a 16x (24-384mm) zoom lens, and the HX20V and HX30V both have 20x (25-500mm) versions. The only thing differentiating the HX30V from the HX20V is the inclusion of WiFi, and a 20 rather than 00 asking price, and both will land in May. The HX10V is expected to go for 30 in March.

Finally, the DSC-H90 will cost a comparatively low 50, and it has a 16.1-megapixel sensor, and 16x 24-384mm zoom lens. Expect to see it on shelves in March.

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February 25, 2012 at 04:04AM

New Sony 18.47MP BSI sensor for consumer digital cameras

Sony announced the IMX118CQT back illuminated 18.47MP CMOS 1/2.3″ sensor for use in consumer digital cameras. Currently, the Sony Cybershot camera with the highest MP count (18.2MP) is the new DSC-TX200V (99.99). Here are the basic specs of the new sensor:

Diagonal 7.76 mm (Type 1/2.3) 18.47M-effective pixels (4968H × 3718V)

Pixel size: 1.26 µm unit pixel

Supports 18.47M-pixel imaging at approx. 24 frame/s

Back-illuminated CMOS image sensor that achieves both higher pixel count and high picture quality

Achieves low-power readout mode (1632H × 408V, 30 frame/s) for live view

Read more at Sony and Image Sensors World

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Related posts:

Sony develops next-generation back-illuminated CMOS sensor with RGBW coding and HDR movie function, Canon files a patent for a large BSI sensor

Sony announces a new 16.15MP Super HAD CCD sensor

Sony Exmor R sensor now in digital cameras

Sony creates world’s first 16.41MP Exmor R back-illuminated CMOS sensor for mobile phones

Next Sony DSLR: with the new Exmor R CMOS Sensor?

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February 21, 2012 at 12:17AM

Ricoh GXR camera + A12 Leica M-mount unit review

I was always curious to try out the Ricoh GXR system and with the announcement of the A12 Leica M-mount unit, I was able to borrow one and use it with my Leica lenses. Here is my quick review:


First, I have to say that this GXR A12 M-mount setup makes sense only if you already have Leica lenses and are looking for a backup or just want a smaller body. This combo may appear also to Leica M film shooters who are looking for a “cheaper” digital solution. The GXR body (49) and the A-12 M-mount unit (49) totals around 000 which is more expensive than other mirrorless solutions for Leica M lenses with similar sensor, like the 00 Sony NEX-5n for example (there are several different M-mount adapters for Sony NEX).

Some basic specs of the Ricoh GXR A12 unit:

12.3MP APS-C size CMOS sensor

ISO range: 200-3200 (including HI and LO)

1280x720p HD movie recording capabilities

1/4000 maximum shutter (1/8000 when electronic shutter is used in SCENE mode)

Maximum of 4fps RAW continuous shooting

No Anti-Aliasing (AA) filter

3.0-inch 920k dots, anti-reflection coated, display

86 MB internal memory

Magnesium alloy body

1.5x crop factor

The Ricoh GXR system has good ergonomics and feels solid. Both the camera and the unit have magnesium alloy body which adds some weight: the body + unit combo weights about 13 oz | 370 g which is on the heavy side for a mirrorless camera.

Similar to Leica, Ricoh did not go for proprietary RAW format – the GXR system uses Adobe’s DNG file standard. The DNG file size is around 16MB.

One of the reasons for the good image quality of the A12 unit is the lack of Anti-Aliasing (AA) filter. The sensor inside the Ricoh M-mount cartridge has optimized micro lenses that improve the image quality, especially in the corners when using wide angle lenses:

“Taking into account the use of lenses such as the symmetrical wide-angle lenses of the film era, this sensor optimizes on-chip micro-lens performance and suppresses peripheral light falloff and color balance changes.”

This is how the Ricoh GXR camera looks with the A12 M-mount attached – the unit release lever is located on top of the grip:

The mode dial has a lock, which I found very useful – I think every small camera should have that:

On several occasions I accidentally hit the zoom buttons with my thumb (with the A12 unit, those buttons are used for exposure compensation by default):

The Ricoh GXR body has a small built-in flash:

The GXR A12 unit contains also a “lens checker” that lets you test if some old wide angle lenses do not get too close to the sensor. You should check your lenses before using them with the A12 unit. You may also find this table of compatible Leica M lenses helpful.

Here is the Ricoh GXR + A12 camera with various Leica M lenses attached (Leica Elmarit 28mm/2.8 ASPH, Summilux 50mm f/1.4 ASPH, Summarit 90mm f/2.5 and Hektor 135mm f/4.5 lens):

What I don’t like in the Ricoh GRX + A12 combo:

12MP is enough for most situation, but the MP count is lower compared to the latest cameras with APS-C size sensor (Sony currently has 16MP and 24MP APS-C sensors). There are some unconfirmed reports that Ricoh can actually upgrade the sensor in the A12 unit with a newer 16MP version.

The GXR+A12 camera offers only 1280x720p HD movie recording. In HD you can get up to 15 minutes continuous video recording (the video file cannot go over 4GB).

Not a great battery life.

There is no image stabilization.

There is no sensor cleaning mechanism.

Use of wide angle lenses is limited because:

There are not that many ultra-wide M-mount lenses (Leica currently makes the Super Elmar 18mm/3.8 and the Tri-Elmar 16-18-21/4 WA lenses, Zeis makes the Distagon T* 15mm/2.8 lens and Voigtlander has the Heliar Ultra Wide 12mm/5.6 lens). Consider the 1.5x crop factor when calculating the 35mm equivalent focal length.

The design of the wide angle lenses brings the back lens element too close to the sensor (you must use the “lens checker” to confirm if you can use a given WA lens).


The Ricoh GXR camera’s menu is clean and easy to navigate:

The DIRECT screen options gives quick access to the basic camera functionality (there is a dedicated DIRECT button):


The Ricoh GXR + A12 system does not have auto focus but it provides two different ways to help you focus manually with M-mount lenses: focus peaking (very similar to the one in the Sony NEX cameras) and focus magnification. The focus peaking has two different modes. In Mode 1 the edges of the subject in focus will be highlighted:

In Mode 2 you can see a high contrast, grey scale version of the subject where the areas in focus will also be highlighted:

The second way to focus M-mount lenses on a Ricoh GXR camera is image magnification (by pressing and holding the menu button). You can select the magnification ratio by simultaneously pressing the self timer button. When using focus magnification, you can still see the “highlighted edges” of the in-focus areas:

For faster access, the fn1 and fn2 buttons can be assigned for focus assist magnification.

In bright sunlight, it is difficult to use the focus assist functions, even with the grey scale option. This is where the optional EVF (19) will probably come handy.

Of course you can also use the DOF markings on the M lens for zone focusing.

ISO performance

The ISO performance of the Ricoh A12 unit is on a par with today’s APS-C size CMOS sensor used in a mirrorless camera. ISO levels of 800, even 1600 are usable. The next three samples were taken at ISO 1600 with a Leica Summilux 50mm lens at f/1.4 (click on image for larger view, full size JPG available on flickr, no post processing):

Next are 100% crops taken at different ISO settings with the Ricoh GXR+A13 unit and Leica 50mm f/1.4 Summilux lens wide open:

Ricoh GXR at ISO 200

Ricoh GXR at ISO 400

Ricoh GXR at ISO 800

Ricoh GXR at ISO 1600

Ricoh GXR at ISO 3200

For comparison, this is how the Leica M9 looks at ISO 2500 with the same Leica 50mm f/1.4 Summilux lens wide open:

Leica M9 at ISO 2500

Sample images

Here are some more sample images taken with four different Leica lenses. I did not like the in-camera JPG processing – I got better results with Adobe Lightroom. The JPG files were produced straight from Lightroom from the original DNG files without any adjustments. The full size in-camera jpg files from the camera are available on flickr. My favorite Leica 50mm f/1.4 Summilux lens was also my preferred on the GXR system, even though the equivalent focal length is 75mm (because of the 1.5x crop factor):

Leica Elmarit 28mm/2.8 ASPH samples:

Leica Summarit 90mm f/2.5 samples:

With some luck in manual focusing, you can even try shooting wildlife with the Leica Hektor 135mm f/4.5 lens from 1958:

Ricoh also offers an optional VF-2 external LCD viewfinder with 920,000 dots for the GXR system (19), but I did not have a chance to try it out:

Additional Ricoh GXR accessories:

Ricoh GF-1 external flash

Ricoh SC-75B soft case + neck strap

Ricoh SC-75T unit cover

Ricoh also offers the following GXR lens units:

A12 28mm f/2.5 camera unit

A12 50mm f/2.5 macro camera unit

S10 24-72mm f/2.5-4.4 VC camera unit

P10 28-300mm f/3.5-5.6 VC camera unit

and the recently announced A16 24-85mm f/3.5-5.5 unit

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Ricoh GXR A12 unit for Leica M mount lens now shipping in the US

Ricoh GXR Mount A12 for Leica M mount lens to be released soon

Ricoh to announce Leica lens cartridge for the GXR system

More images of the Ricoh GXR Leica M-mount APS-C module

Ricoh GXR Mount A12 for Leica M lenses delayed *updated*

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February 08, 2012 at 05:44AM

New Gear: Pentax Optio WG-2 and WG-2 GPS Rugged Waterproof Compacts

Pentax is taking aim at helmet cams with it’s new tough cameras

Canon’s PowerShot G20 isn’t the only rugged, waterproof camera to come out of hiding today. Pentax has given their Optio WG line a bit of a makeover with the new WG-2 and WG-2 GPS.

Both cameras are waterproof to a depth of up to 40-feet, crush proof under up to 220-pounds, shock-proof from 5-feet and cold-proof to the standard 14-degrees F. It’s also full sealed to keep dust from getting in and grinding up its guts.

As for photographic firepower, it has a 16-megapixel backlit CMOS sensor and a 5x optical zoom lens with a full-frame equivalent of 28-140mm. The back of the camera is equipped with a 3-inch, 460k LCD display with an anti-reflective coating.

The WG-2 GPS adds, well, GPS, but otherwise keeps things the same.

The WG-2 is fairly similar to the WG-1 in shape, but it has been revamped a little bit. There’s still a ring around the lens with 6 macro LED lights and the strap still attaches it to a backpack using a sturdy caribiner.

I really liked the WG-1 when I tested it last year, so I’m interested to see if the higher-res, backlit sensor provides a tangible improvement when it comes to image quality. They also have two remote-control receptors in case you want to put them in harm’s way and fire them remotely.

As an interesting addition, Pentax will also be introducing a SportMount Chest Harness for 0 that will hold the WG-2 in place like you’d wear a traditional GoPro.

The WG-2 will come in black or red and cost 49, while the GPS version will cost 99 and offer orange or white.

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February 08, 2012 at 05:33AM

Pentax Optio WG-2 rugged camera announced

Pentax announced the previously rumored Option WG-2 rugged camera. The new version is waterproof to 40 feet, has a new 16MP sensor and can shoots 1080p video. The lens has 6 built-in LED lights. The WG-2 GPS model has improved battery life.

Pres release:

DENVER, CO. (February 7, 2012)…PENTAX RICOH IMAGING AMERICAS CORPORATION just pushed the PENTAX WG adventure camera series to the edge for the 13th time with the introduction of the PENTAX Optio WG-2 and PENTAX Optio WG-2 GPS digital compact cameras. These rugged, waterproof, dustproof and shock-resistant models feature more durability than ever before as well as improved image quality in high-sensitivity shooting and Full 1080p HD movie recording capability.

The Optio WG camera family is ready for adventure in any outdoor setting. Foremost in the latest models’ feature set is a new back-illuminated 16 megapixel CMOS image sensor and powerful imaging engine that perform superbly in high-sensitivity settings such as night shooting or in poorly illuminated indoor settings. The WG-2 models deliver clear, sharp images with less noise than previous models.
Other major improvements in the latest models include:

• High-resolution Full HD 1080p movie recording (1920 x 1080 pixels) at 30 FPS with high quality h.264 compression.
• Waterproof to depths of 40 feet.
Digital Microscope mode with one additional macro LED (total of six lights) for excellent macro lighting of subjects as close as 1 cm.
• A newly designed GPS module that delivers a shorter time lag before GPS start-up and longer battery life during GPS activation.
• A new optional SportMount Chest Harness that straps-on the WG-2 for hands-free HD movie capture of every exciting moment of adventure on land, sea or in the air.

Other outstanding WG-2 features include:

• Shockproof design protects camera drop up to 5 feet.
• Crushproof construction withstands weights up to 220 LBF (pound-force).
• Coldproof to sub-freezing temps of minus 10 degrees C (14 degrees F).
• Dustproof design protects the camera from dry, dusty environments.
• Wide angle 5X internal optical zoom lens (28-140mm equivalent).
• Large 3 inch LCD features HVGA resolution (460,000 dots) and anti-reflective coating on its protective cover.
• Hardened cover with SP coating protects internal lens elements.
• An HDMI port (Micro, Type-D) plays back beautiful, high definition images and video on HDTVs.
Pixel Track, Digital, and Movie Shake Reduction ensure sharp, blur-free images and video.
Fast Face Detection technology including Smile Capture and Blink Detection to capture perfect portraits.
• A Handheld Night Snap mode produces a single blur-free, composite image from four images of the same scene.
• An autofocus assist lamp helps to quickly and accurately focus.
• Extended dynamic range helps bring out extra highlight and shadow detail.
PENTAX infrared remote control compatibility for remote shooting.
GPS and non-GPS versions are available in several new stylish color options.

Priced at 49.95 USD, Optio WG-2 will be available in a choice of Black or Vermillion Red, while the Optio WG-2 GPS will be priced at 99.95 USD in a choice of Shiny Orange or Gloss White. The new SportMount Chest Harness will be priced at 9.95 USD and should be available late spring or early summer 2012. Optio WG-2 cameras can be pre-ordered on www.pentaxwebstore.com to ship by March 2012.

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February 07, 2012 at 09:43PM

New Gear: Canon PowerShot D20 Rugged Waterproof Compact Camera

After a long break, Canon is back in the tough compact competition

The last time we saw a rugged camera from Canon, it was the blimp-like D10, which was actually a very solid little compact. But, the tough camera market is growing, drawing even Nikon into the fray, which is why we’re glad to see Canon updating their rugged offering.

The D20 is waterproof to 33-feet and shock-proof from a height of about five-feet, which isn’t quite as burly as some others that can handle a drop from 6.6-feet. It has a 5X optical zoom lens with a maximum aperture that goes from F/3.9 to F/4.8. We would always love to see faster glass in cameras like this to help get sharper shots during fast action, but lens’s tight living arrangements make that a real challenge. The optical IS also helps a bit to make up for it.

Inside, it uses Canon‘s HD system, which includes a 12.1-megapixel, high-sensitivity CMOS sensor and the Digic 4 processor, which makes it capable of 1920 x 1080 video capture. Like most current rugged cameras, it has built-in GPS, but we’re hoping it’s easer on the battery than it is in the otherwise-awesome PowerShot S100.

As you can see from the photo, Canon has changed up the design a bit. Personally think it looks a lot better, but, it’s not just about aesthetics. The bright body color makes it easy to find in case you drop it and the high-contrast buttons look fairly simple to navigate, even in limited visibility. They’re complemented by a 3-inch LCD screen for composition and review.

Canon has also built in a few underwater-specific features, including an underwater macro mode for capturing details when swimming or diving.

The expected ship date is in May 2012, at which point it will command 49, which puts it in a very competitive position with the rest of the market. I love rugged cameras, so I’m excited to get my hands on one and find out just how tough it is.

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February 07, 2012 at 02:46PM

Canon announces three new lenses and ten PowerShot cameras

Few minuted after the Nikon D800 announcement, Canon announced three new lenses and ten PowerShot cameras:

Canon EF 24-70 f/2.8L II

Canon EF 28 f/2.8 IS USM

Canon EF 24 f/2.8 IS USM

Canon PowerShot A4000 IS, A3400 IS, A2400 IS, A2300, A1300, A810, ELPH 530 HS, ELPH 320 HS, SX260 HS, D20

Press release:

LAKE SUCCESS, N.Y., February 7, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced two new versions of its coveted Wide Angle Lenses and a new version of its popular 24-70mm Standard Zoom Lens for professionals and photo enthusiasts. The new EF 24-70mm f/2.8L II USM, EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses use a rear focusing system, high-speed CPU, and a powerful ring-type Ultra Sonic Motor (USM) with optimized AF algorithms for faster auto focusing and sharp images. With large apertures these new lenses deliver beautiful, soft backgrounds for superior image quality.

“Our heritage is our optics with over 70 years of expertise, we look to continually further our promise to our users and deliver the ultimate image quality,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “These new lenses are powerful tools for photographic and video enthusiasts to pair with Canon cameras to help enable and enhance their creative vision.”

Canon EF 24-70mm f/2.8L II USM Lens for Harsh and Rigorous Conditions

Canon continues the tradition of ensuring the Company’s highest quality optical performance in its L-series lenses with the launch of the EF 24-70mm f/2.8L II USM zoom lens. This new version of one of Canon‘s most popular lenses utilizes one Super UD lens element and two UD lens elements to help achieve outstanding image quality throughout the full zoom range. The result is significantly reduced chromatic aberration in the outer area at wide-angle, high resolution and contrast in images and crisp clear edges around the subject. The lens coatings have been optimized to ensure exceptional color balance while minimizing ghosting, and reduced spherical aberration. With a circular nine-blade diaphragm, the lens delivers soft backgrounds and incredible bokeh.

In demand by architectural, corporate, adventure and professional photographers of nearly every discipline, the EF 24-70mm f/2.8L II USM lens combines amazing image quality with enhanced durability. Highly resistant to dust and water, the new lens has enhanced durability and weather sealing. The lens also features a zoom lock lever to secure the zoom position for safe transport, and fluorine coatings on the front and rear glass surfaces to reduce smears and fingerprints, making it an ideal lens regardless of the conditions.

The EF 24-70mm f/2.8L II USM lens is expected to be available in April for an approximate retail price of ,299.00.

Canon Standard Prime Lenses with Optical Image Stabilizer:

EF 24mm f/2.8 IS USM & EF 28mm f/2.8 IS USM

Empowering landscape and wide-angle photographers with improved optical performance, Canon has upgraded both its EF 24mm and EF 28mm lenses with Image Stabilization technology and Ultrasonic Motor-powered auto focus. Both lenses feature Canon‘s Optical Image Stabilizer technology providing up to four shutter speed stops of correction. With the Optical Image Stabilizer turned on, photographers can capture sharp wide-angle images in low-light settings reducing the need for a flash or a tripod. New aspherical lens elements improve the peripheral image quality and a seven-blade circular diaphragm delivers beautiful, soft backgrounds. The silent and smooth operation of each lens makes them ideal choices for shooting video as well. The EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses each have a minimum focusing distances of 0.20m and 0.23m, respectively.

The EF 24mm f/2.8 IS USM lens is expected to be available in June for an approximate retail price of 49.99, while the EF 28mm f/2.8 IS USM lens is expected to be available in June for an approximate retail price of 99.99.

LAKE SUCCESS, N.Y., February 7, 2011 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced six PowerShot A-series digital cameras with improved operability that produce outstanding images and feature a high-quality, stylish re-design in a variety of fashionable colors. Canon‘s PowerShot A-series models have been instrumental for entry-level users in learning the joys of photography and these new models continue this tradition with features such as 16-megapixel sensor, 720p HD video capture and a 28mm wide-angle lens to capture images of large groups at a family function or of a child on the playground.

PowerShot A-series models are known not only for producing high-image quality but also being easy to use as well. For the first time in a PowerShot A-series model, the A4000 IS, A3400 IS and A2400 IS models will feature Intelligent IS so the camera automatically selects the most effective image stabilization mode ensuring users always capture the best results. In addition, all of the models announced today will have the Smart AUTO feature with 32 shooting modes that selects the appropriate camera setting based on the users shooting environment. Additionally, for the first time in a PowerShot camera, each model will have a Help button to provide an explanation of various shooting modes to help the user along the way.

“The new additions to Canon‘s new PowerShot A-series lineup will provide entry-level users with many options to unlock their creativity and capture high-quality images at a budget-friendly price,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A.

PowerShot A4000 IS and PowerShot A3400 IS Cameras

The Canon PowerShot A4000 IS and PowerShot A3400 IS cameras will each have a Genuine Canon Lens with Optical Image Stabilization allowing users to capture up-close details and wide landscapes. For the PowerShot A4000 IS camera, there will be an impressive 8x-Optical Zoom lens, the longest to date for a PowerShot A-series model, and the PowerShot A3400 IS camera will have a 5x-Optical Zoom. In addition, both cameras will have a 3-inch LCD screen; however, the PowerShot A3400 camera’s screen will be Touch Panel, another first for a PowerShot A-series model, with Touch Focus and Touch Shutter shooting modes for enhanced camera operation. The PowerShot A4000 IS camera is scheduled to be available in February in black, silver, blue, red and pink for an estimated retail price of 99.99. The PowerShot A3400 IS camera is scheduled to be available in March in black, silver, red and gold for an estimated retail price of 79.99.

PowerShot A2400 IS and PowerShot A2300 Cameras

The PowerShot A2400 IS and PowerShot A2300 cameras both feature a 5x-Optical Zoom and a 2.7-inch LCD screen. The PowerShot A2400 IS camera will also have Optical Image Stabilization and is scheduled to be available in March in black, silver, blue and pink for an estimated retail price of 59.99. The PowerShot A2300 camera is scheduled to be available in March for an estimated retail price of 49.99 in black, silver, red and blue.

PowerShot A1300 and PowerShot A810 Cameras

For the more traditional camera user, the PowerShot A1300 camera comes equipped with an optical viewfinder adding to the versatility of this model. Additionally, both the PowerShot A1300 and PowerShot A810 cameras feature a 5x-Optical Zoom lens, 2.7-inch LCD screen and use AA batteries allowing for easy replacement whether at home or on a family vacation. The PowerShot A1300 camera is scheduled to be available in April for an estimated retail price of 19.99, in black and silver. The PowerShot A810 camera is scheduled to be available in April for an estimated retail price of 09.99, in black, silver and red.

LAKE SUCCESS, N.Y., February 7, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of four PowerShot digital cameras: the ELPH 530 HS, ELPH 320 HS, SX260 HS, and D20. Photographers no longer have to sacrifice image quality for the ability to instantly share images and videos with the use of the PowerShot ELPH 530 HS and ELPH 320 HS Wi-Fi enabled cameras. The PowerShot SX260 HS camera puts Canon‘s amazing optical reach into a pocket sized camera, with a 20x optical zoom (25mm to 500mm) letting you pull subjects in close. Designed for the adventurous photographer looking to take spectacular photos, the rugged PowerShot D20 camera is ideally suited for the backpacker, snowboarder or tropical-traveler.

Canon wants to help people capture the best images possible with the ability to quickly and easily share them with the world. With new PowerShot features such as Wi-Fi connectivity, people can quickly upload and share images on social networks,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “Whether it’s a powerful zoom, Wi-Fi or waterproof features, our new PowerShot lineup empowers people to be creative with their photography. There are good enough images and there are great images, we always aim to help people capture the best images.”

Mobile Sharing with Excellent Image Quality

The Wi-Fi functionality built into the two ELPH models allow for a variety of connection options to help photographers share, upload, or back-up images. Users can connect directly to a wireless network from their camera to upload photos and videos to the Canon iMAGE GATEWAYi, an online service that lets registered users store images to an online album, and then post their content to social networks such as Facebook, YouTube and Twitter.

In March, the Canon CameraWindow application is expected to be available on the Apple App Store for the iPad, iPhone and iPod Touchii to further enhance the connectivity options. With this App, users can transfer and save images and videos from the camera to compatible iOS devices, which can then be directly uploaded to Facebook and YouTube or emailed. Photos and videos can also be shared on-the-spot with friends and family by transmitting to another current Wi-Fi-enabled Canon camera as well. A similar app is expected to be available in May for Android devices.

Canon PowerShot ELPH 530 HS Digital Camera

The flagship of the ELPH line, the .78 inches thick ELPH 530 HS camera has the classic style of the original ELPH design while also being Wi-Fi enabled and packing an amazing 12x optical zoom lens to capture great shots from a distance. Canon‘s HS SYSTEM has been included where the 10-megapixel high-sensitivity CMOS sensor will work in tandem with the camera’s DIGIC 5 image processor to help produce high-quality images in low-light conditions. The ELPH 530 HS will also shoot 1080p Full HD video helping capture footage in crystal clear clarity. This new model sports a 3.2-inch LCD touch screen for simple and intuitive operation and menu navigation, Smart AUTO scene selection with 58 scenes, Face ID for optimal images of up to 12 registered subjects and the Intelligent Image Stabilization (IS) function. The camera will be available in black or white for an estimated retail price of 49.99 and is expected to ship in April.

Canon PowerShot ELPH 320 HS Digital Camera

The Canon PowerShot ELPH 320 HS camera makes the perfect on-the-go camera for the young and active photographer, with Wi-Fi connectivity for easy uploading of memorable moments. The HS SYSTEM has also been included on this model with the 16.1 megapixel high-sensitivity CMOS and DIGIC 5 image processor working together to produce high-quality, low-light images. For those users who value high-quality video, the camera has 1080p Full HD capabilities as well. A 5x-Optical Zoom 24mm wide-angle lens will help expand the shooting capabilities of the camera and a 3.2-inch LCD touch screen for simple and intuitive operation and menu navigation. This camera will also feature Smart AUTO scene selection with 58 scenes and Face ID in addition to Intelligent IS. The camera will be available in four eye-catching colors (black, silver, blue and red) for an estimated retail price of 79.99 and is expected to ship in March.

Canon PowerShot SX260 HS Digital Camera

Canon‘s PowerShot SX260 HS camera delivers a powerful 20x Optical Zoom and 25mm Wide-Angle lens with Optical Image Stabilization delivers stunning images from up close or at a distance and measuring just 1.29-inches thick. The camera’s impressive zoom is accompanied by Canon‘s HS SYSTEM for improved low-light shooting with a 12.1-megapixel high-sensitivity CMOS sensor and DIGIC 5 image processor. Combining this incredible zoom and high-image quality will allow photographers of all levels to capture great photos or 1080p Full HD video up close and at a distance, all in one portable, powerful digital camera. The Smart AUTO scene selection with 58 scenes and Face ID has also been included in this incredibly diverse yet compact device. The camera also includes Intelligent IS and GPS photo tagging with location and elevation information to help plot exactly where your travels have taken you. Adding to the feature-set is High-Speed Burst HQ allowing for approximately 10 high-resolution shots to be captured at a continuous rate at 10.3 frames per second. The camera will be available in three colors – black, green and red – and is expected to be available in March for an estimated retail price of 49.99.

Canon PowerShot D20 Digital Camera:

Waterproofiii, shock-proof,iv and freeze-proofv the PowerShot D20 is built with the active photographer in mind. Outfitted with an easy-to-access button, the camera enables users to switch from normal photo mode to snow or underwater mode, even with gloves on. To help make the underwater photos as great as those captured on dry land, the camera has a built-in underwater macro mode producing amazing pictures up close while diving or snorkeling. When recording video, the camera includes wind reduction technology to help capture clear audio even in breezy conditions. It touts an impressive array of features including the HS SYSTEM incorporating a 12.1-megapixel high-sensitivity CMOS sensor and DIGIC 4 image processor, 1080p Full HD video and a 5x optical zoom lens. Also included is a 3.0-inch LCD screen, GPS-capabilities allowing users to track their locations and tag each photo with latitude, longitude, and elevation information and Intelligent IS.vi The PowerShot D20 camera is expected to ship in May 2012 for an estimated retail price of 49.99.

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